
Spain, Barcelona – Costa Brava
2027
July 08 — 12
2028
July 09 — 13
The international contest of choirs “GOLDEN VOICES OF BARCELONA” – is a remarkable opportunity for both professional and amateur, non-profit choirs.
Not only will they participate in a one-of-a-kind international festival-contest, but they will also get the chance to perform in friendly concerts and a gala concert in the main square city.
The winning choir will be given a once-in-a-lifetime chance to perform in the heart of Barcelona, either in the iconic Crypt of Sagrada Familia by Gaudí, or the Basilica de Santa Maria del Pi in the Gothic old city blocks, or La Catedral de la Santa Cruz y Santa Eulalia.
“Fiestalonia” – is an official sponsor of the Basílica de la Sagrada Família. Certificate of sponsorship

⚠️ We give our priority to learning and sharing experiences. At this contest a big attention is paid to the educational program. The event includes master classes, workshops. Teachers who have completed the master classes receive a certificate.
Would you like to participate in a contest of choirs but don’t have the means to do so? Then hurry to search for sponsors in your region. Such an opportunity may only come once in a lifetime.
The combination of the festival with the competition gives an opportunity to plunge into the atmosphere of celebration and music including choirs wishing to perform outside the contest viewing. This is a significant event for choirs combined with an excellent opportunity to relax on the beautiful coast of the Mediterranean under the tender rays of the Spanish sun, visit Girona, Barcelona, visit the Monastery of Montserrat, the French town of Carcassonne or theatre-museum of Salvador Dali in Figueras.
The event is held to promote the art of choral and vocal singing, organ music, as well as to develop creative links between vocal ensembles and choirs of countries, to expand the repertoire of choral groups, creating new choral contacts and exchange of experience. The contestants are evaluated by a professional international jury according to expert evaluation criteria.
As an organiser of international choral festivals and competitions, Fiestalonia appeared as a result of our enthusiastic work, constant search for new ideas and the desire to replace the traditional festivals with more perfect and comfortable ones.
The exceptionally high quality of the festivals is guaranteed by the promise given by the team of Fiestalonia.
Our company is strong thanks to our employees, each of whom is a highly qualified professional and a positive person. We create our festivals as stunning and emotionally charged events that invariably remain in memory as the most vivid life impressions.
We realise that, as a flagship of the industry of organisation of festival events, we have the opportunity to influence the established models of festivals through the introduction of the highest standards and innovations. We focus on quality, we think it is the most important and intrinsic value. We have achieved the position that Fiestalonia festivals personify the refinement embodying the best traditions of international cultural meetings.
All of our programs consist of two parts:
1. Participation in the competition and festival
2. Participation in the Festival without competing in the competition*.
* For those who don’t want to participate in the competitive program, but wish to participate in the festival. They will still participate in the other festival activities including: joint rehearsals, workshops and master classes, where they receive advice and an official certificate from the renowned international experts during a brief discussion in an open and friendly atmosphere. Non competing participants will also perform at international friendship concerts combining different kinds of art.
Communication with other participants, an open exchange of experience as well as a lot of master classes with internationally recognized experts, will certainly bring you to a whole new level of creativity!
6 reasons why you need participate in contest of choirs
Competition jury and master classes

Bernardo Latini
Composer · Choir conductor · Educator
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Bernardo Latini. A significant portion of his time is devoted to writing music, with a special focus on choral compositions, whether a cappella or combined with orchestra or ensemble.
Teaching also plays a vital role in Bernardo’s activities. He is a faculty member at the National University of La Plata (UNLP) in Argentina and regularly conducts courses and workshops in Latin America and Europe.
Bernardo pursued studies in Composition and Choral Conducting at the Faculty of Arts of UNLP. He further refined his skills in Composition under the guidance of Maestro Bernat Vivancos at the Escola Superior de Música (ESMUC) in Barcelona, Catalonia, and in Choral Conducting with Maestro Marco Berrini in Milan, Italy.
His compositions and arrangements have received 16 awards in National and International Choral Composition or Arrangement Competitions, and his works have been published by prestigious publishers in Germany, Austria, Catalonia, the United States, and Argentina.

Dr. Mgr. Lucia Bérešová
Choir conductor and musician
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Dr. Mgr. Lucia Bérešová
Born in Poprad, Slovakia, Dr. Mgr. Lucia Bérešová began her career as a choir conductor at the age of 14. She graduated from the University of Prešov, completed postgraduate studies at the Academy of Music in Bydgoszcz, Poland, and earned a Doctorate in Orchestral and Choral Conducting from the Academy of Music in Kraków. She also completed the Conducting 21C program at The Eric Ericson International Choral Centre in Stockholm and studied with renowned conductors including Lone Larsen and André de Quadros.
Throughout her career, she has collaborated with numerous choirs across Europe and beyond, served as a jury member at international choral competitions, and presented workshops and lectures at major international events, including the World Symposium on Choral Music and the World Choral EXPO.
She currently conducts several choirs, including ResonArt Vocal Ensemble, Agrupació Coral La Concòrdia – Santa Helena de Cabrils, Cor Polifònic Sagrada Família, Orfeó Joventut Terrassenca, Cor de la Creu Roja de Barcelona, JazzCor Terrassa, Coral Veus Clares, and Singfonia.
She is also a co-founder and conductor of the Revoice International Vocal Ensemble, co-leader of the Common Ground Voices project, co-creator of the interdisciplinary project Tothom, and a member of the technical team of the Catalan Federation of Choral Entities (FCEC).

Cláudia Dubé Oranías
Choir conductor and musician
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Clàudia Dubé Oranías
Clàudia Dubé Oranías is an orchestra and choir conductor trained in Barcelona, Huelva, Rome, Madrid, Asunción, and Vienna under the mentorship of internationally renowned conductor Gerardo Estrada Martínez.
She has conducted the National Symphony Orchestra of Paraguay, the Wiener Possymphonie Orchestra in Vienna, and the Pontevedra Philharmonic Orchestra, among others. Since 2015, she has been the founder and Music Director of the Mataró Orchestra, and since 2021, the founder and Music Director of the Opera Pocket Orchestra.
Together with the Crearte Cultural Association, she co-founded the Barcelona Solidarity Symphony Orchestra, leading the Spanish premiere of Clara Schumann’s Piano Concerto at the Palau de la Música Catalana in Barcelona.
In 2019, she was awarded Third Prize at the International “World Summit of Orchestra Conductors” Competition in Huelva, Spain. She currently serves as Music Director of several orchestras and choirs while leading research and educational projects dedicated to promoting the contribution of women to music, alongside developing new symphonic and operatic productions.

Joan Carles Capdevila
Musician · Singer · Musical arranger
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Joan Carles Capdevila Torné, a graduate in Modern and Jazz Music from the Superior School of Music of Catalonia (ESMUC), is a recognized professional in the music field. His extensive experience includes roles as an arranger, composer, studio singer, and member of a cappella groups.
Joan Carles is an experienced teacher in the field of musical theater. He has recorded for renowned film companies such as Disney and Warner Bros. Furthermore, he is a regular collaborator in television programs produced by Gestmusic Endemol, including popular shows like Operación Triunfo, Vivo cantando, and Buscant La Trinca.

Xavier García Cardona
Conductor, pianist and composer graduated in orchestra conducting from Conservatori del Liceu in Barcelona.
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He teaches piano, music theory and harmony in Academia Barcelona Concertante and is the main conductor of Cor Tessàlia. García has conducted several choirs and orchestras and has been invited to hold seminars, presentations and workshops for choirs and for different choral meetings, festivals and symposiums, both in Spain as well as in other European countries. He was one of the founders and co-conductors of the Revoice International Vocal Ensemble, a choir of singers from more than 25 nationalities, performing in several countries and important festivals and events around Europe.
As a composer he has achieved national and international success winning different prizes, and his works are performed worldwide. He has been invited as a jury member of choral composition competitions and choir competitions.
García obtained a fellowship to participate in the “Start-Up for young conductors” program at the European Festival of Youth Choirs Basel 2016. He was also involved in the organization of the World Choral Symposium Barcelona 2017 and has been a member of the artistic committee of the Catalan Youth Choirs Association. He is currently an active member of the Spanish Association of choral conductors (AEDCORO).
CATEGORIES
A
Children’s choirs and youth choirs
The performance program may be of the choir’s choice and should include at least two different musical styles or time periods.
At least one of the pieces must be performed a cappella (without instrumental accompaniment).
A1 – CHILDREN’S CHOIRS
Age groups: 7-16
Singing time: maximum 15 minutes
Minimum Number of Singers -16
A2 – YOUTH CHOIRS OF EQUAL VOICES
Age groups: 16-25
Singing time: maximum 15 minutes
Minimum Number of Singers -16
A3 – YOUTH CHOIRS OF MIXED VOICES
Age groups: 16-25
Singing time: maximum 15 minutes
Minimum Number of Singers -16
B
Vocal Ensembles and Chamber Choirs
The performance program may be of the choir’s choice and should include at least two different musical styles or time periods.
At least one of the pieces must be performed a cappella (without instrumental accompaniment).
Age groups:
1st – 7-10 years old
2nd 11-14 years old
3rd 15-18 years old
4th 18-25 years old
5th above 25 years old
6th Mixed Age Group (participants from various age categories)
Singing time: maximum 15 minutes
Minimum Number of Singers -3
Maximum Number of Singers -16
C
Adult Choirs
The performance program may be of the choir’s choice and should include at least two different musical styles or time periods.
At least one of the pieces must be performed a cappella (without instrumental accompaniment).
С1 – Female Choirs
Age groups: 18 and over
Singing time: maximum 15 minutes
Minimum Number of Singers -17
С2 – Male Choirs
Age groups: 18 and over
Singing time: maximum 15 minutes
Minimum Number of Singers -17
С3 – Mixed Choirs
Age groups: 18 and over
Singing time: maximum 15 minutes
Minimum Number of Singers -17
D
World Sacred Music
Participants can present choral arrangements and ritual music from Christian Catholic, Orthodox, Protestant, Islamic, Buddhist, Jewish, Hindu, Sikh, and many other traditions. This may also include religious melodies and hymns, prayers, spiritual songs, and ceremonial music.
The performance program may be of the choir’s choice
Age groups: no age restrictions
Singing time: maximum 15 minutes
Number of Singers no restrictions
E
Folklore
Ensembles perform a folklore program. Corresponding choreography and stage performance are also possible. It is advisable to sing in traditional costumes. If there is no musical notation, please prepare a brief description of the program in English.
The performance program can be chosen by the choir.
Age groups: no age restrictions
Singing time: maximum 15 minutes
Number of Singers no restrictions
F
Pop – jazz – gospel
The performance program may be of the choir’s choice. Performances may include pieces with instrumental accompaniment, phonograms or a cappella.
Age groups: no age restrictions
Singing time: maximum 15 minutes
Number of Singers no restrictions
G
Academic Singing
Participants may present works from the classical repertoire, including opera, operetta, arias, etc. At least one of the pieces must be performed a cappella (without instrumental accompaniment).
Age groups:
1st – 7-10 years old
2nd – 11–14 years old
3rd – 15–18 years old
4th – 18–25 years old
5th – above 25 years old
6th – Mixed Age Group (participants from various age categories)
Singing time: maximum 15 minutes. Number of Singers no restrictions
TERMS OF PARTICIPATION
Competition performance
- The competition takes place at the Municipal Theater of Lloret de Mar.
- For performances, the organizer provides a Yamaha Arius YDP 143 piano with 88 keys and two organ functions. Additionally, a grand piano is available (subject to availability on the day of the competition). The organizer can also provide 6 Condenser microphones, 4 Wireless microphones, and 2 Headset microphones. If the choir requires any additional equipment, musical instruments, or anything else, they must bring it with them or request it from the organizing committee for an additional fee.
- SINGING TIME: In all categories, the time limit for clean singing is 15 minutes (minimum 7 minutes). This does not include applause and stage time. The exact duration of each piece must be correctly indicated on the Program Confirmation form that we will send you 30 days before the contest.
- In those categories where a phonogram is used for performances, please send the phonogram in MP3 format to the specified e-mail address together with the confirmation form.
- Please ensure you bring 5 copies of the sheet music for each musical composition to be performed. Scores without titles or composer names printed in the Roman alphabet must have a transcription in Roman characters
One copy of the score will be retained by the organizer after the competition. The remaining scores can be collected from the organizer after the awards ceremony.
Each participating choir is responsible for respecting copyright and performance rights for the songs during the competition. The use of unauthorized or reproduced copies is strictly prohibited.
Performance in Barcelona
- For the choirs there’s provided a short tour of Barcelona and performance in the Crypt of Sagrada Família or in the La Catedral de la Santa Cruz y Santa Eulalia or in the Basílica de Santa Maria del Pi (Participants who want to perform in Barcelona pay for the transfer to the place of performance, which also includes an excursion – 37 euros per person).
- Repertoire of the performances in the Basílica de Santa Maria del Pi/Crypt of Sagrada Família / La Catedral de la Santa Cruz y Santa Eulalia must comply with a place of performance.
- At Basílica de Santa Maria del Pi/Crypt of Sagrada Família/La Catedral de la Santa Cruz y Santa Eulalia, musical pieces may only be performed a cappella.
- All women and girls are required to cover their shoulders during the performance.
- The repertoire of performances in Basílica de Santa Maria del Pi/Crypt of Sagrada Família/La Catedral de la Santa Cruz y Santa Eulalia must comply with the religious framework of venue.
AGREEMENT: With the application, all participating choirs agree to photography, recordings and broadcasts in sound or television as well as any other recordings made in conjunction with the competition “Golden Voices of Barcelona”.
Download the contest program in PDF format

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Two months ago, I was in the same place — searching, hesitating, trying to make the right choice. I wanted to give my daughters a gift, something truly special. Out of hundreds of competitions, we chose Fiestalonia — and we’ve never regretted it.
I’m a father of four. My two daughters (ages 13 and 9) have been studying music since they were 5. My older daughter plays the saxophone and three other instruments. The younger one plays the piano. They don’t just play music — they live it. They’ve won many competitions, but this time, I wanted to give them more than a diploma — I wanted to give them an experience.
We live in Ukraine. For the past three years, most of their schooling has taken place in bomb shelters. The children are emotionally exhausted. That’s why I decided to find something meaningful — something that would give them joy, hope, and a dream to hold onto.
The Grand Prize for participation in the World Art Games enabled my daughter Natalia to participate free of charge with accommodation and full board in the International Sea Sun Festival Competition in Lloret de Mar, Spain.
Thank you #fiestalonia for an unforgettable event. The opportunity to perform on the Spanish stage was an extraordinary experience for Natalia and an appreciation of her tremendous work. Thank you to Fiestalonia Milenio for the opportunity for Natalia to participate in the Sea Sun Festival International Competition, which included talents from all over the world. We thank the international jury for their insightful evaluation of Natalia’s performance. First Prize at the Sea Sun Festival gave her confidence in her own abilities.
We participated at art and piano contests. International jury professionals.
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